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Digital cinema/Large sensor

Sony PXW-FS7M2K + Fujinon MK 18-55mm T2.9 + Fujinon MK 50-135mm T2.9

This set provides high optical performance and comfortable operation for professional video recording.

Rental prices

  • 1 day
    187,00€
  • 2 days
    280,50€
  • 3 days
    374,00€
  • 4 days
    467,50€
  • 5 days
    561,00€
  • 6 days
    617,10€
  • 7 days
    673,20€

The FS7 II dramatically improves the shooting experience with Sony’s ultimate documentary camcorder, simply one of the most versatile Super 35mm camcorders in the world. The wide range of improvements, from a new lens mount and optimized ergonomics, to the world’s leading variable neutral density system, automatic and electronic, transform capture possibilities.

Record and move the camera. Whether handheld or shoulder-mounted, the FS7 II delivers the spectacular images you’ve come to expect from Sony.

The Fujinon MK 18-55mm T2.9 lens delivers high optical performance and convenient operation for professional video shooters. Together with the MKX 50-135mm T2.9, the MKX 18-55mm T2.9 is the first fully manual cine lens compatible with the X series interchangeable lens camera. In 35mm format equivalent, the MKX 18-55mm T2.9 covers a focal length from 27mm to 84mm and achieves a constant aperture of T2.9 throughout its full zoom range, delivering a shallow depth of field and beautiful bokeh. The lens design is optimized for video shooting by minimizing focus and optical axis shift when zooming and reducing lens breathing (the change in angle of view during focusing). The lens also features three rings to allow independent manual control of focus, zoom and iris (aperture), all with a gear pitch of 0.8M (modulus). The focusing rings can be rotated fully up to 200 degrees in order to facilitate precise focusing. These functions make the lens very comfortable and easy to handle.

The new Fujinon MK 50-135mm Zoom maintains its maximum aperture of T2.9 throughout the zoom range. It covers Super 35mm sensors and offers minimal breathing with parfocal behaviour. It is a lens that rewards combined use with the MK 18-55, with which it shares weight, dimensions and servo position to avoid rebalancing the camera when switching from one to the other.

 

 

Sony FS7MK2 Camera:

  • 2x 128GB XQD Cards
  • Usb3.0 XQD reader
  • Battery BP-U30
  • Battery BP-U60
  • Charger
  • AC Power Suply
  • Ocular
  • Screen
  • Handle
  • Micro cannon environment
  • Carrying case

Fujinon Optical Kit:

  • Fujinon MK 18-55mm T2.9
  • Fujinon MK 50-135mm T2.9
  • Suitcase

FS7MK2

General

Weight
  • Aprox. 2.0 kg (body only)
  • Aprox. 4.5 kg (with viewfinder, eyepiece, grip remote control, BP-U30 battery, SELP18110G lens without tripod mount, and XQD memory card)
Dimensions (W x H x D)
  • 158.9 x 245.2 x 247mm (body without protrusions)
Power requirements
  • 12.0 V DC power (AC adaptor)
  • Use original Sony batteries to ensure proper and safe operation
Electrical consumption
  • Aprox. 19 W (while recording XAVC-I QFHD 59.94P, SELP18110G lens, viewfinder on, not using external device)
Operating temperature
  • 0°C to 40°C
  • 32°F to 104°F
Battery run time
  • Aprox. 1 hour with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP18110G lens, viewfinder on, without using external device)
  • Aprox. 2 hours with BP-U60 battery (while recording XAVC-I QFHD 59.94P, SELP18110G lens, viewfinder on, without using external device)
  • Aprox. 3 hours with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP18110G lens, viewfinder on, without using external device)
Recording format (video)
  • XAVC-I mode: QFHD 59.94P CBG, 600Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 50P CBG, 500Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 29.97P CBG, 300Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 23.98P CBG, 240Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 24.00P CBG, 240Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 25P CBG, 250Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 59.94P CBG, 600Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 50P CBG, 500Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 29.97P CBG, 300Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: QFHD 23.98P CBG, 240Mbps, MPEG-4 H.264/AVC
Recording format (video)
  • XAVC-I mode: QFHD 25P CBG, 250Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 59.94P VBR, max. at 222 Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 50P VBR, max. at 185 Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 59.94i VBR, max. at 111 Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 50i VBR, max. at 112 Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 29.97P VBR, max. at 111 Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 23.98P VBR, max. at 89 Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 25P VBR, max. at 112 Mbps, MPEG-4 H.264/AVC
  • XAVC-L QFHD 59.94P/ 50P mode: VBR, bit rate max. 150Mbps, MPEG-4 H.264/AVC
Recording format (video)
  • XAVC-L QFHD 29.97P/23.98P/25P mode: VBR, bit rate max. 100Mbps, MPEG-4 H.264/AVC
  • XAVC-L HD 50 mode: VBR, bit rate max. 50Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 50i VBR, max. at 35 Mbps, MPEG-4 H.264/AVC
  • XAVC-I mode: HD 50i VBR, max. at 25 Mbps, MPEG-4 H.264/AVC
  • HD422 mode: CBR, maximum bit rate: 50 Mbps, MPEG-2 422P@HL
Recording format (audio)
  • LPCM 24-bit, 48 kHz, 4 channels
Recording frame rate
  • XAVC-I HD4K mode: 4096 x 2160, 59.94P, 50P, 29.97P, 23.98P, 24P, 25P
  • XAVC QFHD-I mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
  • XAVC-I HD mode: 1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
  • XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
  • XAVC-L HD 50 mode: 1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
  • XAVC-L 35 mode: 1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
  • XAVC-L 25 mode: 1920 x 1080/59.94i, 50i
  • MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25P
  • 1280 x 720/59.94P, 50P, 29.97P, 23.98P, 25P
Recording/playback times
  • XAVC-I QFHD 59.94P mode
  • When using QD-G128A (128 GB):
  • Aprox. 22 minutes
  • XAVC-I QFHD 50P mode
  • When using QD-G128A (128 GB):
  • Aprox. 26 minutes
  • XAVC-I QFHD 29.97P mode
  • When using QD-G128A (128 GB):
  • Aprox. 44 minutes
  • XAVC-I QFHD 23.98P mode
  • When using QD-G128A (128 GB):
  • Aprox. 55 minutes
  • XAVC-I QFHD 25P mode
  • When using QD-G128A (128 GB):
  • Aprox. 52 minutes
Recording/playback times
  • XAVC-I QFHD 59.94P mode
  • When using QD-G128A (128 GB):
  • Aprox. 59 minutes
  • XAVC-I 50P mode
  • When using QD-G128A (128 GB):
  • Aprox. 71 minutes
  • XAVC-I HD 59.94i mode
  • When using QD-G128A (128 GB):
  • Aprox. 118 minutes
  • XAVC-I HD 50i mode
  • When using QD-G128A (128 GB):
  • Aprox. 141 minutes
  • XAVC-I QFHD 29.97P mode
  • When using QD-G128A (128 GB):
  • Aprox. 118 minutes
Recording/playback times
  • XAVC-I HD 23.98P mode
  • When using QD-G128A (128 GB):
  • Aprox. 147 minutes
  • XAVC-I HD 25P mode
  • When using QD-G128A (128 GB):
  • Aprox. 141 minutes
  • XAVC-L QFHD 59.94P/ 50P mode
  • When using QD-G128A (128 GB):
  • Aprox. 87 minutes
  • XAVC-L QFHD 29.97P/23.98P/25P mode:
  • When using QD-G128A (128 GB):
  • Aprox. 131 minutes
  • XAVC-L mode 50
  • When using QD-G128A (128 GB):
  • Aprox. 262 minutes
Recording/playback times
  • XAVC-L mode 35
  • When using QD-G128A (128 GB):
  • Aprox. 374 minutes
  • XAVC-L mode 25
  • When using QD-G128A (128 GB):
  • Aprox. 524 minutes
  • MPEG HD422 mode
  • When using QD-G128A (128 GB):
  • Aprox. 262 minutes

Lens

Lens mount
  • E-mount (lever-lock type)

Camera section

Imaging device (type)
  • Super35 type 1-chip Exmor CMOS sensor
Effective image elements
  • 17:9 4096 (H) x 2160 (V)
  • 16:9 3840 (H) x 2160 (V)
Built-in optical filters
  • Filtros ND
  • Off: CLEAR
  • 1: 1/4ND
  • 2: 1/16ND
  • 3: 1/64ND
  • Variable linear ND (1/4ND to 1/128ND)
Sensitivity (2000 lx, 89.9% reflectance)
  • Video Gamma: T14 (3840 x 2160/23.98P 3200000 mode)
ISO sensitivity
  • ISO 2000(Gamma S-Log3, light source D55)
Minimum illumination
  • 0.7 lx (+18 dB, 23.98P, Shutter Off, ND Clear, F1.4)
Signal to noise ratio
  • 57 dB(Y) (typical)
57 dB(Y) (typical)
  • 1/3 s to 1/9000 s
Slow motion and fast motion function
  • XAVC-I 3840 x 2160 mode: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
  • XAVC-I 1920×1080 mode: 1 to 180 frames (59.94P, 29.97P, 23.98P) 1 to 150 frames (50P, 25P)
  • XAVC-L 3840 x 2160 mode: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
  • XAVC-L 1920 x 1080 mode: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
White balance
  • Default, Memory A, Memory B (1,500,000-50,000,000)/ATW
Revenue
  • -3, 0, 3, 6, 9, 12, 18 dB, automatic gain control (AGC)
Gamma curve
  • STD, HG, User, S-Log2, S-Log3

Input/Output

Audio input
  • XLR-type 3-pin (female) (x2), line/mic/mic +48 V switchable Mic reference: -40, -50, -60 dBu
SDI output
  • BNC (x2), switchable with 3G-SDI/HD-SDI SMTPE292M/424M/425M
USB
  • USB device, mini-B (x1)
Headphone output
  • Stereo mini jack (x1) -16 dBu 16 Ω
Speaker output
  • Monaural
CC input
  • CC connector
Remote
  • Stereo mini-minijack (ø2.5 mm)
HDMI output
  • Type A (x1)
Optional
  • 4-pin Type A for W-LAN (x1)

Monitored

built-in LCD monitor
  • 8.8 cm (3.5 type) Approx. 1.56 million points

Built-in microphone

  • Omnidirectional Monaural Electret Condenser Microphone

Supports

Type
  • XQD card slot (x2)
  • SD card slot (x1) for saving configuration data

Fujinon Optical Kit:

Fujinon MK 18-55mm T2.9

  • Mount: E
  • Opening: T2.9
  • Front diameter: 82 mm
  • Focal range: 18-55mm
  • Focus ring rotation: 200º
  • Sensor Coverage: Super 35mm (24.84mm x 13.97mm)
  • Weight: 980g

Fujinon MK 50-135mm T2.9

  • Mount: E
  • Opening: T2.9
  • Front diameter: 82 mm
  • Focal range: 50-135mm
  • Focus ring rotation: 200º
  • Sensor Coverage: Super 35mm (24.84mm x 13.97mm)
  • Weight: 980g

FS7MK2: For more information, you can consult the manufacturer’s website

Fujinon MK 50-135mm T2.9: For more information, you can consult the manufacturer’s website.

Fujinon MK 18-55mm T2.9: For more information, you can consult the manufacturer’s website.

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