The new Blackmagic URSA Broadcast G2 – B4 Mount is an incredibly powerful camera designed for both traditional and online broadcasters.
Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
The new Blackmagic URSA Broadcast G2 – B4 Mount is an incredibly powerful camera designed for both traditional and online broadcasters.
The new Blackmagic URSA Broadcast G2 – B4 Mount is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It’s a perfect solution for broadcasters because it uses the lenses and batteries you already own. You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it’s compatible with all video software and broadcast media management systems. You can even change the lens mount. No other broadcast camera is so flexible.
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That’s the perfect combination for broadcast news and programming.
URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true “Hollywood” quality digital film camera.
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
B4 2/3 inch installed
Active EF mount also included
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
In-camera correction of color fringing when using compatible broadcast lenses.
13 Stops
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
additional 1.1 stop light loss using 4K B4 mount.
64.62dB for 2160p
Ultra HD scaled from 5.3K
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses. Iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
4 inch
LCD capacitive touchscreen.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
1920 x 1080 (HD) up to 150 fps
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1
1
1
1.5G, 3G, 6G, 12G.
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
1 x 3.5mm headphone jack. Supports iPhone style headset for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 12-pin Hirose Broadcast Lens Connector
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60.
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60.
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
48 kHz and 24 bit
More information about the Blackmagic URSA Broadcast G2 – B4 Mount through our contact channels.